The album was written when Simon, the lead singer, was going through a very rough time after losing both his mother and his grandfather in the same year. The album does really reflect that and the album cover shows a man with a piece missing this is meant to symbolise Simon's loss.
The album has an explosive start with "Living Is A Problem Because Everything Dies", "Saturday Superhouse" and "Who's Got A Match" beginning the record which is a mass of guitars and drums and beautiful orchestral tones throughout (especially in "Living Is A Problem..."). The orchestra is used a lot in this album, Simon has played violin since he was a boy and so has always been good at composing really affective string pieces for his albums. The start of the album really does suck you in, the fat choruses with very catchy lyrics start to capture you in the music.
At track 4 ("As Dust Dances") the album settles down a bit and turns a bit more sombre. "As Dust Dances" is one of the reasons I love this album, my favourite kind of Biffy songs are the slower ones because Simon's skill really comes to light in these pieces. The amount of bands who write songs with a good riff and lots of distortion but don't actually use that much imagination in what they're writing down or playing is so great and it really does make music a bit boring but Biffy Clyro don't do this, especially on this album. The song slowly builds up to the heavy Biffyness throughout the song starting with just the electric guitar and vocals which is very clean and pure and then the guitar is very basic. It isn't until the 2nd chorus when you really start to get a very rocky feel to the song and even then it isn't until the first bridge where you get the distortion coming in. Biffy Clyro really experiment on this album with what instruments they use together and how each instrument is played. The album has a hidden track "4/15ths" which is a beautiful track when put together, it is a perfect example of how Simon blends distortion and an orchestra well having both subtle and very powerful elements to the track.
The middle section as a whole is very pop-y for the Biff. At this point, Biffy Clyro where trying to capture the American market and so had to make their music that way to appeal to the wider audience but it for just seems to be the same as a lot of the songs on "Infinity Land" (their third album) - for example, "My Recovery Injection" has a nice reggae feel to it and is a nice easy track to listen to if you don't like rock. For the first time with "Puzzle", Biffy Clyro were writing songs you could actually dance to. Before, especially with "Blackened Sky" and "The Vertigo Of Bliss", the music was very good but very moody and was more something you would sit down and head-bang to rather than get up and dance to but this album really pushed the band forward. Although the album has quite a dark message about it, it has an overall major tonality about making it more appealing to the wider audience.
There is a beautiful end to this album with two of the most personal song Simon has ever written making up the finale. "Folding Stars" was written about his mother and how her death affected him and "Machines", the final song, is about him starting to be able to pick himself up again after his mother's death. "9/15ths" is an amazing piece of composing, although the lyrics never change (apart from the "4/15ths" bit), the use of strings and the choir is so affective and it is for me one of the most absorbing pieces on the album.
All in all, this is an amazing album. If you were to ask me which Biffy Clyro album to get, I would definitely say "Puzzle" just because of the variety of music you get on in. This album was the beginning of a new era for Biffy, it was them leaving behind the moody headbanging music of before and saying "hello" to the future of arena tours and no.1 albums. If you haven't listened to this album, listen to it NOW, it is a hidden gem of a record!
9.5/10
To listen to "Saturday Superhouse", click here.
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